Both Penny and Milli now have simple chemises and lace petticoats.
These were a simple project to see how my hands are doing. (They blew out 3 or 4 veins in my hands and wrist at the hospital. Ouch) It took me all day to do what would have normally taken just a couple hours, or in reverse, I used to be able to do human sizes in the time it took me to do these. But, either way, my hand only hurt enough to stop on occasion and the girls now are not neeked.
The chemises are just plain of a coarse muslin. (No lifting or bending or reaching in the sewing room allowed.)
The petticoats are vintage lace from a FB group. It is nicely bodied. I missed the part where it is natural not white . Oops. Still cute. Milli’s done with stroked gathers. Penny’s is done with guaging. Each petticoat should hold the skirts quite nicely.
I am trying to decide which part of Penny’s outfit will fulfill the red garment of the peddler doll tradition.
- Basque bodice
When I first started writing this post it was in my History blog. I was calling it “The Research Tangent that Causes Swooning” because I thought I bought myself a fun enamel buckle that might work for a historical era of dress.
I dove into researching when enamel buckles exsisted, which shapes were when, what styles fit each era. There were many “Oooo”s and “Ahhh”s and spontaneous jaw lowering as I looked at museum collections and auction sites. I looked at as much as I could, as fast as I could before telling g the seller I wanted it. I even ordered a book off Amazon.
There was one detail that alluded me. It is one I have ooopsed on before….
It seems I bought Calli a nice enamebelt buckle.
Despite the seller placing the buckle clearly on an inch grid and stating the size, I was too excited and asked all the wrong questions.
Curious about enamel buckles in the mid nineteenth century? Here is some of what I found:
There were enamel buckles being designed and produced in the 1850s and 60s. It seems this was more so the case in England than the US, based on what I’ve found so far. This is a simple search for “enamel buckle” between 1850-65 in Google Books. The Victoria and Albert Museum has this lovely set of design illustrations by a goldsmith for various pieces including buckles with enamel. The center piece for this bracelet particularly caught my attention because the shape is quite similar while the enamel design and purpose are not. The MET did not have a similar buckle or buckles of the era of interest. But, it does have painted enamel buckles that I must learn more about.
There are several shapes of slide style buckles evident in cdvs: ovals, rectangles, and variations on each. I have not found a buckle with my shape nor the reverse slide aspect.
Other Resources to track down:
May I introduce Penny the Peddler and Milli the Milliner.
Yes, they are a tad under dressed. But, at least they have bodies now.
Both girls stand about the same height. Penny has sewn hands and a weighted bell shape lower body because she is going to need to stand on her own while holding her peddler basket. Milli has both sewn hands and feet. Her funny fat feet are below.
Their chest plates are not as snug as I thing they should be. It may just be that I made their big sister Cali much fluffier. I will have to get Mae out to see how smooth her plate to textile transition is.
Penny and Milli will get a full set of underpinnings next. Penny’s outfit will include a yet to be determined dress, an apron and an outer garment of some type red. The dress should be utilitarian. She should also have a hood. Milli can be a little more fashionable.
Once dressed, Penny can started displaying her wares. Once she has her basket that is.
Here is Nikki’s foot: